In this reading, there are three primary objectives:
1—You will develop your awareness of the use of articles.
2You will increase your reading comprehension.
3You will expand your working vocabulary.

These objectives are facilitated by the following activities:
1—Reading the following part of the radio broadcast script.
2Seeing photographs from the movie that illustrate the story.
3Noticing required articles by interactively revealing articles after the "mouseover" of highlighted spaces.
4Accessing short vocabulary definitions of selected words and phrases (those underlined in blue).
5Getting vocabulary definitions from the internet for words you choose.
6Checking your reading comprehension by doing the interactive quiz at the end (self-testing).

And, I hope you have some fun too!   —Skip Reske

Move mouse cursor over blank highlights to show correct article (a/an or the) and over words in blue to show definition

Casablanca

End of last part:

LASZLO: You have no objections to your band playing music for me while I sing, do you ?

RICK: No, go ahead. I'm neutral. If one customer can sing, they can all sing.

LASZLO: They all will sing. (to Sam) Are you ready?

SAM: Yeah, we're ready, Mister Laszlo.

LASZLO: Then, play it!

[Theband plays, Laszlo singstheFrench national anthem, La Marseillaise, quickly joined by others inthecafé, who drown outthesinging Nazis.]


Act 2 - Part 1

ANNOUNCER: And nowthesecond act of "Casablanca" starring Humphrey Bogart as Rick Blaine, Ingrid Bergman as Ilsa Lund, and Paul Henreid as Victor Laszlo.

ANNOUNCER: Angered bythewaythepatrons at Rick's cafe joined Victor Laszlo in singingtheMarseillaise, Major Strasser forced Captain Renault to close Rick's place and ordered Victor Laszlo and Ilsa Lund to remain in their hotel.


ILSA: Victor, I'm frightened. Please don't go totheunderground meeting tonight.

LASZLO: To tell youthetruth, my dear, I'm frightened, too. So shall I hide here in our hotel room or shall I carry onthebest I can?

ILSA: Whatever I would say, you'd carry on.

LASZLO: Since our friend Rick has refused to part with those letters of transit, what else am I to do?

ILSA: Did - did Rick give you any reason?

LASZLO: He suggested I ask you.

ILSA: Ask me ?

LASZLO: Yes. Ilsa, when I was intheconcentration camp, were you lonely in Paris ?

Laszlo and Ilsa

LASZLO: Ilsa, I ...

ILSA: Yes?

LASZLO: When I was in the concentration camp, were you lonely in Paris ?

ILSA: Yes, Victor, I was.

LASZLO: I know how it is to be lonely. Is there anything you wish to tell me?

ILSA: No, Victor, there isn't.

LASZLO: I love you very much, my dear.

ILSA: Yes. Yes, I know. Victor, whatever I do, will you believe that I ...?

LASZLO: You don't even have to say it. I'll believe.


Watch a video clip from the movie. Speakers/headphones required.
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LASZLO: I must get totheunderground meeting now. Good night, my dear.

ILSA: Good night.


[THE STORY CONTINUES LATER AT RICK'S PLACE –THEAMERICAN CAFÉ]

[THE DOOR OPENS. THERE ARE FOOTSTEPS]

ILSA: Hello, Rick.

[DOOR CLOSES]

RICK: Well, I told you you'd come to see me, but this isalittle ahead of schedule.

ILSA: Richard, I had to see you.

RICK: Oh, I'm "Richard" again? (with anger) We're back in Paris.

ILSA: Please!

RICK: Your sudden visit isn't connected by any chance withtheletters of transit, is it?

ILSA: Richard, you can ask any price but you must give me those letters!

RICK: I went all through that with your husband. There's no deal.

ILSA: Richard, we loved each other once. If those days meant anything at all to --

RICK: I wouldn't bring up Paris if I were you. It's poor salesmanship.

ILSA: Please! Please, listen to me! If you knew what really happened--

RICK: I wouldn't believe you no matter what you told me. You'll say anything now to get what you want.

ILSA: Oh, Richard, don't you understand? You're our last hope! If you don't help us, Victor Laszlo will die in Casablanca !

RICK: What of it? I'm going to die in Casablanca. It'sagood place for it. Now, if you-- Well, well, I - I see you've come prepared for anything. Give me that gun.

Ilsa holding a gun

ILSA: No. I tried to reason with you. I tried everything. Now, if you don't give me those letters, I'll shoot.

RICK: Go ahead.

ILSA: Get me those letters.

RICK: Oh, they're - they're right here in my pocket, I don't have to. If you want them, you'll have to kill me to get them. If Laszlo, iftheunderground means so much, you won't stop at anything. And if you don't shoot soon, I'm gonna take that gun away from you. Now, give it to me.

ILSA: Oh...oh, Richard... I tried to stay away...

[ILSA AND RICK EMBRACE]

ILSA: I thought I - I would never see you again, that you were out of my life. If you knew what I went throughtheday you left Paris, how much I loved you, how much I still love you.

[ILSA AND RICK KISS]


[STORY CONTINUES LATER THAT NIGHT]

ILSA: We had been married only three weeks when Victor got word that they needed him in Prague. He was captured almost immediately and sent toaconcentration camp. Then came word that he was dead. I was lonely before, but then I had nothing left, not even hope, until I met you.

RICK: But why didn't you tell me all this in Paris ?

ILSA: Victor made me promise to keep our marriageasecret. He was afraid that iftheGestapo found out I was his wife, it would be dangerous for me and those working with us. I kept my promise.

RICK: And then finally you got word he'd escaped?

ILSA: Yes.Afriend called, telling me that he wasn't dead, that he was ill and hiding inatrain car near Paris. I didn't tell you because you wouldn't have left Paris and they would have caught you. Well, you knowtherest.

RICK: It's stillastory withoutanending. What about now?

ILSA: Now? I don't know. I know that I'd never havethestrength to leave you again.

RICK: And Laszlo?

ILSA: Oh, you'll help him now, Richard, won't you? You'll see that he gets out. Then he'll have his work -- all that he's been living for.

RICK: All except you.

ILSA: I can't fight it anymore. I ran away from you once, I can't do it again. Oh, I don't know what's right any longer. You'll have to think for both of us -- for all of us.


Watch a video clip from the movie. Speakers/headphones required.
   Slow internet connection (dial-up)
   Fast interner connection (DSL or cable)

Ilsa with tears in her eyes

RICK: I've already made up my mind and I think I can arrange everything with Renault.


[STORY CONTINUESTHENEXT DAY. RICK IS TALKING TO CAPTAIN RENAULT]

RICK: Here'sthearrangement, Louis. I'm selling my place and leaving Casablanca on tonight's plane.

RENAULT: What?

RICK: And I'm taking Ilsa Lund with me. Ilsa is Victor Laszlo's wife. Louis, I'll makeadeal with you.

RENAULT: What is it?

RICK: I want to be sure Laszlo doesn't escape this time. Now, if you could get him onareal criminal charge, would - would that be a feather in your cap?

RENAULT: It most certainly would. Germany-- uh, I meantheFrench Vichy Government would be grateful.

RICK: Then be at my placeahalf hour beforetheplane leaves. I'll arrange for Laszlo to be there, thinking I'll sell himtheletters of transit. When I hand them to him, that'll give youthecriminal grounds for makingthearrest.

RENAULT: Ricky, I'll miss you -- apparently, you aretheonly one in Casablanca that has even fewer scruples than I.

RICK: Thanks. Oh, and, uh, bytheway, Louis, come for Laszlo alone. See, I'm- I'm taking no chances on a double-cross -- even from you.

RENAULT: Double cross? Why, Ricky--!

Louis Renault talking to Rick

RICK: Well, you might getanidea about putting me in jail for selling those letters, you know. Well, don't forget --ahalfanhour before plane time, alone.

RENAULT: Don't worry, Ricky. This isanhonor I'll share with no one.


Quiz button

Multimedia presentation of "As Time Goes By"
(You must have headphones or speakers attached)

Lyrics to "As Time Goes By"


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