In this reading, there are three primary objectives:
1—You will develop your awareness of the use of articles.
2You will increase your reading comprehension.
3You will expand your working vocabulary.

These objectives are facilitated by the following activities:
1—Reading the following part of the radio broadcast script.
2Seeing photographs from the movie that illustrate the story.
3Noticing required articles by interactively revealing articles after the "mouseover" of highlighted spaces.
4Accessing short vocabulary definitions of selected words and phrases (those underlined in blue).
5Getting vocabulary definitions from the internet for words you choose.
6Checking your reading comprehension by doing the interactive quiz at the end (self-testing).

And, I hope you have some fun too!   —Skip Reske

Move mouse cursor over blank highlights to show correct article (a/an or the) and over words in blue to show definition

Casablanca

End of last part:

RICK: If she can stand it, I can. Play it! I-I gotadate withamemory...

[PIANO PLAYS]

RICK:... in Paris.

SAM (sings and playsthepiano):

You must remember this

Akiss is justakiss

Asigh is justasigh

Thefundamental things apply

As time goes by.


Act 1 - Part 2

[A FLASHBACK TO PARIS –thestory goes back in time to when Rick and Ilsa were in Paris, beforetheGerman army entered Paris ]

ILSA: Now, I really knowthemeaning of happiness, Richard. It's being here in Paris with you.

Rick and Ilsa in Paris

RICK: AndtheGerman army, fifty miles away. Who are you really, Ilsa ? What were you before you came to Paris ?

ILSA: Ha ha ! Atthebeginning, we said no questions, Richard.

RICK: You know, I can't help wondering why I should be so lucky, why I should find you waiting for me to come along.

ILSA: Why there is no other man in my life? Well, that's easy. There was. He's dead.

RICK: I'm... sorry. I know we said no questions. I'll never ask another.

MUSIC

ILSA: Richard, you must leave Paris beforetheGermans arrive. You're on their blacklist.

RICK: Ah, their roll of honor.

ILSA: Oh, don't joke, Richard. You must leave.

RICK: Oh, no, no, no. We must leave.

ILSA: Yes. Yes, of course.

RICK: Now,thetrain for Marseilles leaves at five. Say, why don't we get married in Marseilles ?

ILSA (starting to cry): Oh, no. Oh, that's too far ahead to plan.

RICK: Ilsa ? What'sthematter?

ILSA: Nothing, darling. Nothing. Mm. It's just that I love you so much. Oh, it'sacrazy world. Anything can happen. If you shouldn't get away -- If something should keep us apart, wherever you are, wherever I'll be, I want you to know, Richard...

ILSA: Kiss me... as if it werethelast time.


[STORY MOVES FORWARD IN TIME AGAIN - BACK TO CASABLANCA AND SAM ATTHEPIANO]

SAM (sings and playsthepiano):

You must remember this

Akiss is justakiss

Asigh is justasigh

afundamental things apply--

(suddenly Sam stops playing)

Boss! Wake up!

RICK (groans)

SAM: Boss, you have to wake up. That lady's here. This isn'tamemory in Paris -- she's right here.

RICK: Ah, you're as drunk as I am, Sam.

ILSA: No. No, he's not, Rick. I'm here. I left Victor atthehotel and came back. I'm-- I have to talk to you.

Ilsa returns to talk to Rick

RICK: Funny about your voice, how it hasn't changed. I can still hear it:

"Richard, dear, I'll go with you anyplace. We'll get onatrain together and never stop."

ILSA: Don't, Ricky! I can understand how you feel.

RICK: You understand how I feel? How long was it we had, honey?

ILSA: I didn't countthedays.

RICK: Well, I did. Every one of them. Mostly, I rememberthelast one.


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RICK: You and I were going to run away from Paris together.

ILSA: Oh...

RICK: But you didn't meet me atthetrain station, did you?

ILSA: Please, Rick...

RICK: There wasadramatic finish. Me standing onthetrain platform, readingthenote you wrote:

Rick in Paris reading Ilsa's note

Richard,

I cannot go with you or ever
see you again.
You must not ask why.
Just believe that I love you.
Go, my darling,
and God bless you.

- Ilsa

 

RICK: You didn't show up and Sam had to push me on thetrain.

ILSA: Ohh ,theRick I loved in Paris would let me explain... but this Rick, looking at me with hatred-- I'll be leaving Casablanca soon. We'll never see each other again.

RICK: You'll see me before you go.

ILSA: No, Rick.

RICK: Oh, yes, you will. Some night you'll lie to Laszlo and come to me.

ILSA: No. No, you see Victor Laszlo's my husband. And was, even when I knew you in Paris.


[STORY CONTINUESTHENEXT DAY]

RICK: Well, Laszlo, I wondered when you'd come to see me.

LASZLO: Captain Renault and Major Strasser kept me busy forthepast twenty-four hours.

RICK: Well, let's talk honestly. You've come about those letters of transit , haven't you?

LASZLO: Yes, I have.

RICK: You and Strasser and Renault. It seems to bethegeneral impression in Casablanca that I have those letters.

LASZLO: Let's assume that you have them.

RICK: All right, go ahead.

LASZLO: You must know it's very important I get out of Casablanca.

Rick and Laszlo talking

RICK: Why you more than any oftheothers who can't leave here?

LASZLO: It's my responsibility and honor to be one oftheleaders ofagreat movement. You know what I've been doing. You know what it means tothework, tothelives of thousands and thousands of people that I reach America and--

RICK: Don't you ever wonder if what you're fighting for is worth all this?

LASZLO: You might as well question why we breathe. If we stop breathing, we die. If we stop fighting today's enemies,theworld will die.

RICK: What of it? Then it'll be out of its misery.

LASZLO: You know, Monsieur Blaine, you sound likeaman trying to convince himself of something he doesn't believe in his heart. That wasn't always your attitude. You brought guns to helpthepeople in Ethiopia. You fought againsttheFascists in Spain.

RICK: I was well-paid both times.

LASZLO:Thewinning side would have paid you better. Isn't it strange that you always happen to be fighting ontheside oftheunderdog?

RICK (chuckles): Well, let's say that I'm notagood businessman.

LASZLO: Are you businessman enough to appreciate an offer ofahundred thousand francs for those letters?

RICK: Oh, I appreciate it. But if you offered meamillion francs, I wouldn't accept it.

LASZLO: Very well, then. You havetheletters of transit. You won't give them to me. But I want Ilsa to be safe. Monsieur Blaine, I ask you asafavor to usetheletters to take her away from Casablanca.

Laszlo

RICK: You love her that much?

LASZLO: Yes, I love her that much.

RICK: Oh. Sorry, but it's no deal.

LASZLO: But why?

RICK: I suggest that you ask your wife.

LASZLO: My wife?

RICK: Yes.

[We hear male voices singing "Die Wacht am Rhein" -- theGerman national anthem.]

RICK: Who's singing that song?

LASZLO: Probably Strasser and his Gestapo agents. They followed me here.

RICK: Well, don't start anything. I don't want any trouble in here that'll force Renault to close my cabaret.

LASZLO: You have no objections to your band playing music for me while I sing, do you ?

RICK: No, go ahead. I'm neutral. If one customer can sing, they can all sing.

LASZLO: They all will sing. (to Sam) Are you ready?

SAM: Yeah, we're ready, Mister Laszlo.

LASZLO: Play La Marseillaise! Play it!

[Theband plays, Laszlo singstheFrench national anthem, La Marseillaise, quickly joined by others inthecafé, who drown outthesinging Nazis.]

Laszlo leading singing
LASZLO ANDTHECAFE PATRONS


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Amour sacré de la Patrie ,

Conduis , soutiens nos bras vengeurs ,

Liberté , liberté cherie ,

Combats avec tes defénseurs ;

Combats avec tes défenseurs.

Sous drapeaux , que la victoire

Acoure à tes mâles accents;

Que tes ennemis expirants

Voient ton triomphe et notre gloire !


Aux armes citoyens !

Formez vos bataillons ,

Marchons , marchons !

Qu'un sang impur

Abreuve nos sillons.


Sacred love of the fatherland

Guide and support our vengeful arms.

Liberty, beloved liberty,

Fight with your defenders;

Fight with your defenders.

Under our flags, so that victory

Will rush to your manly strains;

That your dying enemies

Should see your triumph and glory


To arms, citizens!

Form up your battalions

Let us march, Let us march!

That their impure blood

Should water our fields


ANNOUNCER: And so ends Act One of " Casablanca " starring Ingrid Bergman, Humphrey Bogart, and Paul Henreid. In justamoment, we will hear Act Two.


Quiz button

Multimedia presentation of "As Time Goes By"
(You must have headphones or speakers attached)

Lyrics to "As Time Goes By"


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